{"id":15,"date":"2011-05-31T23:02:48","date_gmt":"2011-06-01T03:02:48","guid":{"rendered":"https:\/\/alyssahinton.com\/?page_id=15"},"modified":"2017-09-24T15:04:47","modified_gmt":"2017-09-24T19:04:47","slug":"resume-3","status":"publish","type":"page","link":"https:\/\/alyssahinton.com\/blog\/artist-background\/resume-3\/","title":{"rendered":"resume"},"content":{"rendered":"<p><span style=\"color: #000000;\"><strong><span style=\"text-decoration: underline;\">EXHIBIT RESUME &#8211; ALYSSA HINTON<\/span><br \/>\n<\/strong><\/span>109 Hilton Ave.<br \/>\n<span style=\"color: #000000;\"> Durham, NC 27707<\/span><\/p>\n<p><span style=\"color: #000000;\">(984) 234-1407<\/span><br \/>\n<span style=\"color: #000000;\"> E-mail: alyssahintonartist@gmail.com<\/span><\/p>\n<p><span style=\"color: #000000;\">Web sites:<\/span><br \/>\n<a href=\"http:\/\/www.AlyssaHinton.com\/\">http:\/\/www.AlyssaHinton.com<\/a><\/p>\n<p><strong><span style=\"text-decoration: underline;\">BIRTH DATE &amp; PLACE<\/span>:<\/strong> 1962, Philadelphia, PA<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>EDUCATION:<\/strong><\/span><br \/>\n<strong>2012<\/strong> NC State University, Raleigh, NC<br \/>\nMASTERS OF ART &amp; DESIGN<br \/>\nMajor;\u00a0Fibers &amp; New Media<\/p>\n<p><strong>1993<\/strong> Kutztown University, Kutztown, PA<br \/>\nArt Education,\u00a0LEVEL I INSTRUCTIONAL CERTIFICATE<br \/>\nSpecialty; Multicultural Teaching Strategies<\/p>\n<p><strong>1988<\/strong> Tyler School of Art, Temple University, Philadelphia, PA<br \/>\nBACHELOR OF FINE ARTS, MAGNA CUM LAUDE<br \/>\nMajor; Painting<\/p>\n<p><strong>1984-86<\/strong> Parsons School of Design at the American College, Paris, France.<br \/>\nFine Art<\/p>\n<p><strong>1982-83<\/strong> Kutztown University, Kutztown, PA<br \/>\nFoundation Art &amp; Design<\/p>\n<p><strong>1983<\/strong> University of Grenoble, Grenoble, France.<br \/>\nCERTIFICAT PRACTIQUE de LANGUE FRANCAISE<br \/>\nIntensive French Language<\/p>\n<p><strong>1983<\/strong> City of Grenoble, Ecole Des Beaux Arts<br \/>\nFigure\/Life Drawing<\/p>\n<p><strong>1981-82<\/strong> The Central Institute of Fine Arts Senior Middle School, Beijing, China.<br \/>\nCERTIFICATE in TRADITIONAL CHINESE PAINTING<br \/>\nGongbi and Xieyi Painting<\/p>\n<p><strong>1981-82<\/strong> Beijing University, Beijing, China<br \/>\nChinese Language and Literature<\/p>\n<p><span style=\"text-decoration: underline;\"><strong>SOLO EXHIBITIONS:<br \/>\n<\/strong><\/span><strong>2017<\/strong> \u201cEARTH CONSCIOUSNESS &amp; CULTURAL REVELATIONS,\u201d Michael S. Currier Center, The Putney School, Putney, VT<br \/>\n<strong><u><br \/>\n<\/u>2017<\/strong> \u201cEARTH CONSCIOUSNESS &amp; CULTURAL REVELATIONS,\u201d C. X. Silver Gallery, Brattleboro, VT<br \/>\n<span style=\"text-decoration: underline;\"><strong><br \/>\n<\/strong><\/span><strong>2015 <\/strong>\u201cCIRCUIT BOARD THUNDERBIRD and TESSERACT OCTAGONAL MEDICINE WHEEL\u201d,\u00a0George Boole Library, George Boole Bicentenary, University\u00a0College\u00a0Cork, Cork, Ireland<\/p>\n<p><strong>2015 <\/strong>\u201cALYSSA HINTON\u201d, Duhesa Gallery, University of Colorado at Fort Collins, CO<\/p>\n<p><strong>2015 <\/strong>&#8220;ALYSSA HINTON&#8221;, Unity Center for Peace, Chapel Hill, NC<\/p>\n<p><strong>2014 <\/strong>\u201cTHE GREAT AWAKENING- OUT OF DARKNESS\u201d, The Greene County Museum, Snow Hill, NC<\/p>\n<p><strong>2014<\/strong> \u201cTHE DEER MESSENGER SERIES\u201d, Sun Trust Gallery, Durham Art Guild, Durham, NC<\/p>\n<p><strong><b>2014\u00a0 <\/b><\/strong>\u201cTHE AWAKENING SERIES: A SOUTHEASTERN ODYSSEY\u201d, Kirby Gallery at the Kirby Cultural Arts Complex, Roxboro Community College, Roxboro, NC<\/p>\n<p><strong><strong><strong>2013 <\/strong><\/strong><\/strong>\u201cTHE AWAKENING: PARALLEL WORLDS\u201d, FedEx Global Education Center, University of North Carolina at Chapel Hill, NC<\/p>\n<p><strong>2013\u00a0<\/strong>\u201cAS IF AWAKENING FROM A SLUMBER\u201d, Guilford Native American Art Gallery, Davies Cultural Center, Greensboro, NC<\/p>\n<p><strong><strong>2013 <\/strong><\/strong>\u201cTHE AWAKENING: OUT OF THE DARKNESS\u201d,\u00a0The Museum of the Native American Resource Center, Old Main Building, The University of North Carolina at Pembroke, NC<\/p>\n<p><strong>2011<\/strong>\u00a0\u201cMOUND CULTURE\u201d,\u00a0Town Creek Indian Mound Museum, Mount Gilead, NC<\/p>\n<p><strong>2010<\/strong>\u00a0\u201cACROSS THE THRESHOLD \u2013 CREATIVITY, BEING &amp; HEALING SYMPOSIUM\u201d, University of North Carolina Program on Integrative Medicine and\u00a0Duke University Dance Program, Duke University, Durham, NC<\/p>\n<p><strong>2008<\/strong>\u00a0\u201cAWAKENING,\u201d solo exhibition,\u00a0Carrboro Art Center, Carrboro, NC<\/p>\n<p><strong>2006<\/strong>\u00a0\u201cART of TRANSFORMATION,\u201d solo exhibition, Louise Jones Brown Gallery,\u00a0Duke University, Durham, NC<\/p>\n<p><strong>2005<\/strong>\u00a0\u201cCOMPOSITES by ALYSSA HINTON,\u201d\u00a0Red Hat, Inc. (Linux Server Operating Systems), Raleigh, NC<\/p>\n<p><strong>2002<\/strong>\u00a0\u201cSPIRITUAL ARCHAEOLOGY,\u201d solo exhibition,\u00a0Chase Lounge Gallery, Bates College Multicultural Center, Lewiston, ME<\/p>\n<p><strong>2002<\/strong>\u00a0\u201cNATIVE DIVERSITY\u201d, solo exhibition, main gallery space,\u00a0Page Walker Arts &amp; History Center, Cary, NC<\/p>\n<p><strong>1998<\/strong>\u00a0\u201cSPIRITUAL GROUND\/ANCESTRAL PLANE\u201d, solo exhibition, Allenton Gallery,\u00a0Durham Arts Council, Durham, NC<\/p>\n<p><strong>1998<\/strong>\u00a0\u201cALYSSA HINTON,\u201d collage transfers, solo exhibition,\u00a0Bradiggins Arts &amp; Crafts Gallery, Hillsborough, NC<\/p>\n<p><strong>1997<\/strong>\u00a0\u201cALYSSA HINTON,\u201d reproductions, solo exhibition,\u00a0United American Indians of the Delaware Valley Museum, Philadelphia, PA<\/p>\n<p><strong><span style=\"text-decoration: underline;\"><strong>GROUP EXHIBITIONS:<\/strong><\/span><\/strong><strong><span style=\"text-decoration: underline;\"><strong><br \/>\n<\/strong><\/span>2016\u00a0<\/strong>\u201cHANDS OFF MY HERITAGE,\u201d Duhesa Gallery, University of Colorado at Fort Collins, CO<strong><br \/>\n<u><br \/>\n<\/u>2016 <\/strong>\u201cCELEBRATION OF COLOR-THREE GALLERIES SOUTH OF SOUTH STREET,\u201d Dupree Gallery, Philadelphia, PA<\/p>\n<p><strong>2015<\/strong>\u00a0\u201cPLUS ONE\u201d, presented by Arts Now NC, Pleiades Gallery, Durham, NC<br \/>\n<strong><span style=\"text-decoration: underline;\"><strong><br \/>\n<\/strong><\/span>2014<\/strong>\u00a0\u201cTRUTH TO POWER\u201d, juried \u00a0group exhibit, Pleiades Gallery, Durham, NC<\/p>\n<p><strong><b>2014 <\/b><\/strong>\u201cINDIGENEITY \/\u00a0DECOLONIALITY \/ @RT\u201d, Frederic Jameson Gallery, Duke University, Durham, NC<br \/>\n<strong><span style=\"text-decoration: underline;\"><strong><br \/>\n<\/strong><\/span><strong>2013\u00a0<\/strong><\/strong>\u201cNATIVE VOICES &amp; IDENTITY NARRATIVES\u201d,\u00a03rd\u00a0Biennial Contemporary American Indian Arts Series,\u00a0A.D. Gallery of\u00a0The University of North Carolina at Pembroke, Pembroke,\u00a0NC<\/p>\n<p><strong>2013\u00a0<\/strong>\u201cSEMINOLE NLC CONFERENCE ART EXHIBIT,\u201d The Seminole Tribe of Florida\u00a0Native Learning Center\u2019s 5th Annual Summer Conference, Hard Rock Hotel &amp; Casino,\u00a0Hollywood, FL<\/p>\n<p><strong><strong>2013\u00a0<\/strong><\/strong>\u201cTRUTH TO POWER\u201d, juried \u00a0group exhibit, Pleiades Gallery, Durham, NC<br \/>\n<strong><span style=\"text-decoration: underline;\"><strong><br \/>\n<\/strong><\/span><\/strong><strong>2012 <\/strong>&#8220;12&#215;12 ART SALE &amp; BENEFIT CONCERT&#8221;,\u00a0Golden Belt Artists&#8217; Studios, Durham, NC<\/p>\n<p><strong>2012 <\/strong>\u201cEXHIBITION: SPOTLIGHT ON STUDENT FIBER TRENDS: A JURIED EXHIBITION AND EDWARD LAMBERT, FIBER ARTIST: A RETROSPECTIVE\u201d, Wellington B. Gray Gallery, School of Art and Design, East Carolina University, NC<\/p>\n<p><strong>2011<\/strong> \u201cLIVING EARTH FESTIVAL\u201d, Native Artists Market,\u00a0Smithsonian National Museum of the American Indian, Washington, D.C.<\/p>\n<p><strong>2010<\/strong> \u201cONE SCORE AND FIFTEEN\u201d,\u00a0Guilford Native American Association Art Gallery, Greensboro, NC<\/p>\n<p><strong>2010<\/strong> The 35thAnnual NC Indian Unity Conference Juried Art Show,\u00a0United Tribes of North Carolina, Raleigh, NC<\/p>\n<p><strong>2009<\/strong> \u201cWE ARE HOME,\u201d group exhibition,\u00a0Krantz Gallery at Jefferson Community &amp; Technical College, Louisville, KY<\/p>\n<p><strong>2008-2009<\/strong> \u201cDURHAM ART GUILD 54th ANNUAL JURIED ART SHOW\u201d &amp; \u201cDURHAM ART GUILD ANNUAL MEMBERS\u2019 SHOWS\u201d,\u00a0The Durham Art Guild, Durham, NC<\/p>\n<p><strong>2005-2008<\/strong> \u201cIMPACTED NATIONS,\u201d\u00a0Honor the Earth 3 year exhibition tour out of Minneapolis, MN, to NY, NM, CO, IL, SD, WI<\/p>\n<p><strong>2004-2007<\/strong> \u201cNATIVE VIEWS; Influences of Modern Culture,\u201d\u00a0Artrain USA, A Contemporary Native American Art Exhibition in Motion (3 year tour to all regions of the USA), Ann Arbor, MI<\/p>\n<p><strong>2004, 2006<\/strong> SMITHSONIAN NMAI INAUGURAL FIRST AMERICANS ART MARKET &amp; \u201cSMITHSONIAN NMAI HOLIDAY MARKET,\u201dSmithsonian National Museum of the American Indian, Washington, D.C.<\/p>\n<p><strong>2006<\/strong> \u201cRELATIONS: INDIGENOUS DIALOGUE,\u201d\u00a0Institute of American Indian Arts, Santa Fe, NM<\/p>\n<p><strong>2006<\/strong> ALYSSA HINTON &amp; HANNAH ALEX-GLASSER, Collages &amp; Ceramic Sculpture,\u00a0Jeffrey Moose Gallery, Seattle, WA<\/p>\n<p><strong>2006<\/strong> HONORING SOUTH EASTERN TRIBAL ARTISANS,\u00a0Capital One -Town Center Gallery, Richmond, VA<\/p>\n<p><strong>2005-2006<\/strong> GLANCE GALLERY GROUP SHOWS,\u00a0Glance Gallery, Raleigh, NC<\/p>\n<p><strong>2005<\/strong> \u201cBIENNALE INTERNAZIONALE DELL\u2019ARTE CONTEMPORANEA,\u201d\u00a0Florence Biennale of Contemporary Art at the\u00a0Fortezza da Basso, Florence,\u00a0Italy<\/p>\n<p><strong>2004<\/strong> \u201cEITELJORG MUSEUM 12TH ANNUAL INDIAN ART MARKET,\u201d\u00a0Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN<\/p>\n<p><strong>2003<\/strong> \u201cEVOLVING TRADITIONS,\u201d online exhibition,\u00a0New York Arts Magazine &amp; Smithsonian National Museum of the American Indian, New York City, NY<\/p>\n<p><strong>2003<\/strong> \u201cCOMPOSITES by ALYSSA HINTON &amp; FIRE BALLS by JOSEPH GARDNER,\u201d\u00a0Bleecker Street Studio &amp; Gallery, Carrboro, NC<\/p>\n<p><strong>2002<\/strong> \u201cWALKING IN THE SPIRIT CIRCLE\u201d fifty-eight works in various media by American Indian Artists of North Carolina,\u00a0Guilford Native American Association Art Gallery, Greensboro, NC<\/p>\n<p><strong>2002<\/strong> \u201cGRAND OPENING EXHIBITION\u201d, featured artist,\u00a0E.A.R.T.H. American Indian Gallery, Cotton Mill Complex, Selma, NC<\/p>\n<p><strong>2001<\/strong> \u201cNC INDIAN ART MARKET 2001,\u201d\u00a0NC Indian Unity Conference, Holiday Inn Bordeaux Convention Center, Fayetteville, NC<\/p>\n<p><strong>2001<\/strong> \u201cMIXED MEDIA by AFRICAN AMERICAN ARTISTS\u201d, group exhibition,\u00a0North Carolina Arts Gallery, Carrboro, NC<\/p>\n<p><strong>2000<\/strong> \u201cBOUNDLESS EXPRESSIONS: RENEWAL OF SPIRIT\u201d, Second Annual \u201cArts in Medicine\u201d Juried Exhibition of the H.\u00a0Lee Moffitt Cancer Center &amp; Research Institute, USF Contemporary Art Museum, Tampa, FL<\/p>\n<p><strong>2000<\/strong> \u201cWSSU INTERNATIONAL AWARENESS WEEK 2000, Global Vista for the New Millenium,\u00a0Diggs Art Gallery, Winston-Salem State University, Winston-Salem, NC<\/p>\n<p><strong>2000<\/strong> \u201cDIMENSIONS 2000: THE ART OF THE NEW MILLENNIUM\u201d, 35th Annual National Juried Art Exhibition,\u00a0Associated Artists of Winston-Salem, Inc. &amp; Milton Rhodes Gallery, Winston-Salem, NC<\/p>\n<p><strong>2000<\/strong> \u201cPEACE, UNITY &amp; SOCIAL JUSTICE: THE MESSAGE OF MLK, JR.\u201d, an exhibition of celebrated artists curated for the MLK, Jr. Task Force of Cary,\u00a0The Page Walker Arts &amp; History Center, Cary, NC<\/p>\n<p><strong>1999<\/strong> \u201cTHE RED MILLENNIUM\u201d, group exhibition,\u00a0American Indian Contemporary Arts, San Francisco, CA<\/p>\n<p><strong>1999<\/strong> \u201cKEEPING THE CIRCLE: EXPRESSIONS OF EASTERN NORTH CAROLINA NATIVE AMERICANS\u201d, Works by the SPIRITWORKS! Group,The Fayetteville Museum of Art, Fayetteville, NC<\/p>\n<p><strong>1999<\/strong> \u201cCHAPEL HILL PUBLIC ARTS COMMISSION EXHIBITION FEATURING LOCAL ARTISTS,\u201d group exhibition,\u00a0Chapel Hill Public Library and Chapel Hill Town Hall, NC<\/p>\n<p><strong>1999<\/strong> \u201cOFFERINGS, ALTARS IN OPEN SPACE\u201d (Exploring the spiritual dimensions of our lives), group exhibition,\u00a0Green Hill Center For North Carolina Art, Greensboro Cultural Center, Greensboro, NC<\/p>\n<p><strong>1998<\/strong> \u201cNEW ART IN THE TRIANGLE\u201d, group exhibition,\u00a0Duke University Museum of Art, Durham, NC<\/p>\n<p><strong>1998<\/strong> \u201cCULTURAL CONNECTIONS: RECLAIMED TRADITIONS\u201d, (The Eighth Annual North Carolina Native American Juried Fine Art Exhibition),\u00a0Guilford Native American Association Art Gallery, Greensboro, NC<br \/>\n<strong><br \/>\n<span style=\"text-decoration: underline;\">PUBLIC SPEAKING ENGAGEMENTS:<br \/>\n<\/span><\/strong><strong>2017\u00a0<\/strong>ARTISTS TALK &amp; BOOK LAUNCH, \u201cEarth Consciousness &amp; Cultural Revelations\u201d, by Alyssa Hinton in collaboration with C. X. Silver Gallery, Brattleboro, VT \u00a0<a href=\"http:\/\/www.magcloud.com\/browse\/issue\/1254092\">http:\/\/www.magcloud.com\/browse\/issue\/1254092<\/a><\/p>\n<p><strong>2017<\/strong> SYMPOSIUM LECTURE, \u201cDreams, Prophecy &amp; Native American Cultural Reawakening\u201d (for CEU credit) International Association for the Study of Dreams, Southern Dreaming Regional Conference, Greenville, SC<\/p>\n<p><strong>2015<\/strong> ARTISTS TALK, Duhesa Gallery, University of Colorado at Fort Collins, CO<\/p>\n<p><strong>2016 <\/strong>ARTISTS TALK, \u201cSTORY AND IMPLICATIONS OF THE INDIGENOUS ICONIC EARTH ALTAR\u201d, Oasis Lounge in Carr Mill Mall, Carrboro, NC<\/p>\n<p><strong>2015<\/strong> LECTURE, \u201cArt of Transformation\u201d- Experimental Printmaking &amp; Digital Hybrid Art, Printmaking Department, China Academy of Art, Hangzhou, China<strong><span style=\"text-decoration: underline;\"><br \/>\n<\/span><\/strong><\/p>\n<p><strong>2015<\/strong> ARTISTS TALK- &#8220;CIRCUIT BOARD THUNDERBIRD and TESSERACT OCTAGONAL MEDICINE WHEEL\u201d,\u00a0George Boole Library, George Boole Bicentenary, University\u00a0College\u00a0Cork, Cork, Ireland<br \/>\n<strong><strong><br \/>\n2015 <\/strong><\/strong>ARTISTS TALK- &#8220;Awakening Series&#8221;, Unity Center for Peace, Chapel Hill, NC<\/p>\n<p><strong>2014\u00a0<\/strong>LECTURE, \u201cINDIGENEITY \/\u00a0DECOLONIALITY \/ @RT\u201d, ARTISTS TALK, Smith Warehouse, Duke University, Durham, NC<\/p>\n<p><strong>2014<\/strong>\u00a0SLIDE LECTURE, \u201cTHE AWAKENING SERIES: A SOUTHEASTERN ODYSSEY\u201d, Kirby Gallery at the Kirby Cultural Arts Complex, Roxboro Community College, Roxboro, NC<\/p>\n<p><strong><b>2013\u00a0<\/b><\/strong>LECTURE, \u201cNATIVE VOICES &amp; IDENTITY NARRATIVES\u201d,\u00a03rd\u00a0Biennial Contemporary American Indian Arts Series,\u00a0A.D. Gallery of\u00a0The University of North Carolina at Pembroke, Pembroke,\u00a0NC<br \/>\n<strong><br \/>\n<b>2013\u00a0<\/b><\/strong>LECTURE, \u201cAS IF AWAKENING FROM A SLUMBER\u201d, Guilford Native American Art Gallery, Davies Cultural Center, Greensboro, NC<br \/>\n<strong><br \/>\n<b>2013\u00a0<\/b><\/strong>LECTURE, \u201cTHE AWAKENING: OUT OF THE DARKNESS\u201d,\u00a0The Museum of the Native American Resource Center, Old Main Building, The University of North Carolina at Pembroke, NC<\/p>\n<p><b>2013\u00a0<\/b>LECTURE, \u201cTHE AWAKENING: PARALLEL WORLDS\u201d, FedEx Global Education Center, University of North Carolina at Chapel Hill, NC<\/p>\n<p><strong>2010<\/strong>\u00a0SPEECH, \u201cACROSS the THRESHOLD \u2013 CREATIVITY, BEING &amp; HEALING SYMPOSIUM\u201d, University of North Carolina Program on Integrative Medicine and\u00a0Duke University Dance Program, Duke University, Durham, NC<\/p>\n<p><strong>2002<\/strong>\u00a0SLIDE LECTURE, \u201cSPIRITUAL ARCHAEOLOGY\u201d\u00a0opening reception, Chase Lounge Auditorium, Bates College, Lewiston, ME<\/p>\n<p><strong>1999<\/strong>\u00a0INTERVIEW,\u00a0\u201cCAROLINA CHRONICLES\u201d, NBC 17 WNCN TV, Raleigh, NC<\/p>\n<p><strong>1999<\/strong>\u00a0LECTURE, \u201cOFFERINGS, ALTARS IN OPEN SPACE\u201d, Artists\u2019 talk program, Green Hill Center for North Carolina Art, Greensboro, NC<\/p>\n<p><strong>1999<\/strong>\u00a0LECTURE,\u00a0\u201cAS WE SEE THEM: IMAGES Of OUR RELATIONS\u201d, opening reception, The Museum of the Native American Resource Center, University of North Carolina at Pembroke, NC<\/p>\n<p><strong>1998<\/strong>\u00a0LECTURE, \u201cCULTURAL CONNECTIONS: RECLAIMED TRADITIONS\u201d, opening reception, Guilford Native American Association Art Gallery, Greensboro, NC<br \/>\n<strong><br \/>\n<span style=\"text-decoration: underline;\">AWARDS AND HONORS:<\/span><br \/>\n<\/strong><strong><strong>2012\u00a0<\/strong><\/strong>N.C.S.U. DEPARTMENT OF ART &amp; DESIGN EXCELLENCE IN RESEARCH AND SCHOLARSHIP AWARD, NC State University, Raleigh, NC<\/p>\n<p><strong>2005<\/strong>\u00a0STUDIO SUPPORT GRANT, The Resource Center for Women and Ministry in the South, Durham, NC<\/p>\n<p><strong>2005<\/strong>\u00a0ART FOR INDIGENOUS SURVIVAL GRANT for participation in the \u201cBIENNALE INTERNAZIONALE DELL\u2019ARTE CONTEMPORANEA,\u201d\u00a0Florence Biennale at the\u00a0Fortezza da Basso, Florence, Italy. Art for Indigenous Survival, Durham, NC<\/p>\n<p><strong>2004<\/strong>\u00a0EITELJORG MUSEUM INDIAN ART MARKET HONORABLE MENTION. Eiteljorg Museum of American Indians and Western Art, Indianapolis, IN<\/p>\n<p><strong>2004<\/strong>\u00a0ART FOR INDIGENOUS SURVIVAL GRANT for participation in the Eiteljorg Indian Art Market, through the\u00a0LIFE BRIDGE FOUNDATION, AN AFFILIATE of the UNITED NATIONS. Art for Indigenous Survival, Durham, NC<\/p>\n<p><strong>1999<\/strong>\u00a05TH ORANGE COUNTY OPEN STUDIO TOUR GRANT. Grass Roots Arts Inc., Carrboro, NC<\/p>\n<p><strong>1999<\/strong>\u00a0KITUWAH, FIRST PLACE AWARD. Kituwah American Indian Celebration of Arts, Heritage, and Education, Asheville, NC<\/p>\n<p><strong>1998<\/strong>\u00a0D.A.C. EXHIBITION GRANT. Showing and promotion of collage series \u201cSpiritual Ground\/Ancestral Plane\u201d, Allenton Gallery, Durham Arts Council, Durham, NC<\/p>\n<p><strong>1990-92<\/strong>\u00a0MID-ATLANTIC\/NEA REGIONAL ARTS FELLOWSHIP IN PAINTING (WITH EXHIBITION TOUR). Oil Paintings. Mid-Atlantic Arts Foundation, Baltimore, MD<\/p>\n<p><strong>1991<\/strong>\u00a0\u201cIMAGES \u201991 BEST OF SHOW AWARD. Oil painting.\u00a0Juror: FAITH RINGGOLD. Central Pennsylvania Festival of the Arts, State College, PA<\/p>\n<p><strong>1989<\/strong>\u00a0MERION ART AND REPRO CENTER AWARD FOR PAINTING. Oil Painting. Main Line Center for the Arts 52nd Annual Open Juried Exhibition, Philadelphia, PA<\/p>\n<p><strong>1989<\/strong>\u00a0ELIZABETH COYNE MEMORIAL PRIZE. Mixed Media. Woodmere Art Museum 49th Annual Juried Exhibition, Philadelphia, PA<\/p>\n<p><strong><span style=\"text-decoration: underline;\">COMMISSIONS, DESIGN &amp; PUBLIC ART<\/span>:<br \/>\n2012 <\/strong>COMPETITION JURIST<strong>\u00a0<\/strong>for the\u00a0UNC Chapel Hill Undergraduate Art Awards<\/p>\n<p><span class=\"Apple-style-span\" style=\"color: #222222;\"><strong style=\"font-weight: bold;\">2012 <\/strong>LOGO,\u00a0Woman Sacred Culture Village, Durham,\u00a0NC<\/span><\/p>\n<p><strong><strong>2012 <\/strong><\/strong>BOOK COVER ILLUSTRATION, \u201cLet Magic Happen: Adventures in Healing with a Holistic Radiologist&#8221; (www.letmagichappen.com), by\u00a0Dr. Larry Burke, M.D., President of Healing Imager (teleradiology and EFT), Inc., Durham, NC<\/p>\n<p><strong>2012 <\/strong>PAINTED WOODPECKER STAGE PERFORMANCE BACKDROP, &#8220;CROSSROADS&#8221;, an interactive, story-telling and dance project, Unedited Series (sponsored by the Harold C. Schott Foundation),\u00a0Charleston Library Society,\u00a0Charleston, SC<\/p>\n<p><strong>2009<\/strong> ENVIRONMENTAL MURAL PAINTING, Immaculata Catholic School, Durham, NC<\/p>\n<p><strong>2008<\/strong> T-SHIRT EMBLEM DESIGN,\u00a0Office of Native American Student Affairs and AISES Native American student group, NC State University, Raleigh, NC<\/p>\n<p><strong>2007<\/strong> CONFERENCE BAG LOGO DESIGN, \u201cThreads of HOPE\u201d collaborative women\u2019s health and economic development project,\u00a0Center for Health Promotion and Disease Prevention of The University of North Carolina, Chapel Hill, NC<\/p>\n<p><strong>2007<\/strong> \u201cMUSEUM WITHOUT WALLS HISTORIC PARISH STREET MARKER SERIES,\u201d runner up proposal for permanent sidewalk exhibit,\u00a0Office of Economic and Employment Development, City Hall, Durham, NC<br \/>\n<em>*Design conception for four weatherproof historic markers to be fabricated in glass and steel and to house historic imagery and text relating to \u201cBlack Wall Street\u201d.<\/em><\/p>\n<p><strong>2006<\/strong> CD COVER ART, singer\/song writer Pura Fe, Tuscarora Nation Blues,\u00a0Dixie Frog Records, Paris, France<\/p>\n<p><strong>2006<\/strong> AMERICAN TOBACCO HISTORIC DISTRICT, \u201cSTANDPIPE ART PROJECT\u201d finalist proposal for tobacco themed mural,\u00a0Struever Bros. Eccles &amp; Rouse, Durham, NC<br \/>\n<em>*Design conception illustrating the history of the Durham tobacco industry to be painted onto the standpipe (an 80 foot high water tower).<\/em><\/p>\n<p><strong>2004<\/strong> \u201cFAMILY MANDALA\u201d large acrylic painting for Dr. David and Corinne Young of\u00a0Young Veterinary Research Services, Turlock, CA<\/p>\n<p><strong>2002<\/strong> POSTER ILLUSTRATION for the 6th Annual Festival of the Autumn Moon Art &amp; Music Celebration,\u00a0The Hillsborough Arts Council, Hillsborough, NC<\/p>\n<p><strong>2002<\/strong> BOOK COVER ILLUSTRATION, \u201cNyanyan Gohn-Manan, History, Migration and Government of the Bassa,\u201d by\u00a0Dr. Syrulwa L. Somah, Associate Professor at NC A&amp;T State University, Greensboro, NC<\/p>\n<p><strong>1999<\/strong> POSTER ILLUSTRATION for William Hinton\u2019s 80th Birthday Celebration,\u00a0Columbia University, NYC, NY<\/p>\n<p><strong>1998<\/strong> COLLABORATIVE PAINTING with artist Vandorn Hinnant honoring the 10th anniversary of the Challenge Greensboro Minority Leadership Development Training Program.\u00a0Sponsored by the Greensboro Education and Development Council, Greensboro, NC<\/p>\n<p><strong><span style=\"text-decoration: underline;\">PRESS &amp;\u00a0PUBLICATIONS<\/span>:<br \/>\n<\/strong><strong>2017<\/strong> RADIO, WTSA, covering Earth Consciousness and Cultural Revelations show, Apr. 6 Artist Alyssa Hinton &amp; gallery manager Adam Silver talk about exhibit, Brattleboro, NC<\/p>\n<p><strong>2017 <\/strong>COMMUNITY TV, Brattleboro Community TV with host Ezlerh Oreste speaking with mixed media artist Alyssa Hinton along with Cai and Adam Silver. Find out about Alyssa\u2019s current exhibit, Earth Consciousness &amp; Cultural Revelations, at the CX Silver gallery.<\/p>\n<p><a href=\"http:\/\/www.brattleborotv.org\/artstory\/artstory-season-2-ep-3\">http:\/\/www.brattleborotv.org\/artstory\/artstory-season-2-ep-3<\/a><\/p>\n<p><strong>2017<\/strong> RADIO, WKVT Green Mountain Mornings Podcast covering Earth Consciousness and Cultural Revelations show, Apr. 6 Artist Alyssa Hinton &amp; gallery manager Adam Silver talk about exhibit, Brattleboro, NC<br \/>\n<strong><br \/>\n<\/strong><strong>2017\u00a0<\/strong>BOOK LAUNCH, \u201cEarth Consciousness &amp; Cultural Revelations,\u201d by Alyssa Hinton in collaboration with C. X. Silver Gallery, Brattleboro, VT<\/p>\n<p><a href=\"http:\/\/www.magcloud.com\/browse\/issue\/1254092\">http:\/\/www.magcloud.com\/browse\/issue\/1254092<\/a><\/p>\n<p><strong>2015 <\/strong>ARTICLE, Chadwick Allen, \u201cRe-scripting Indigenous America- Earthworks in Native Art, Literature, Community\u201d, Twenty-First Century Perspectives on Indigenous Studies: Native North\u00a0America in (Trans) Motion, Routledge Research in Transnational indigenous perspectives.<\/p>\n<p>2015 ESSAY, \u201cClod Hopper\u2019s Collision Course\u201d, George Boole Chronicles, A Selection of Short Essays on George Boole and his Family, edited by Olivia Frawley, Finalist 2015 International Book Awards, University College Cork, Ireland<\/p>\n<p><strong>2015<\/strong> FEATURE, Beth Mandel,\u00a0\u201cAn artist\u2019s inspiration: Alyssa Hinton\u201d,\u00a0What inspires an artist series, Arts Now NC, Durham, NC<\/p>\n<p><strong>2014 <\/strong>BOOK-FIVE FEATURED ARTWORKS &amp; WRITING<strong>, <\/strong>Below the Surface: Ethnic Echoes in America\u2019s Modern and Contemporary Art<\/p>\n<p><a href=\"http:\/\/www.amazon.com\/Below-Surface-Ethnic-Americas-Contemporary\/dp\/1465252355\">http:\/\/www.amazon.com\/Below-Surface-Ethnic-Americas-Contemporary\/dp\/1465252355<\/a><\/p>\n<p><strong>2011<\/strong> ART FOR ARTICLE on teen suicide prevention, \u201c\u2026So That The People Will Live!\u201d, Horizons, The Magazine for Presbyterian Women, March\/April 2011<\/p>\n<p><strong>2009<\/strong> ARTICLE, Dawn Baumgartner Vaughan,\u00a0\u201cArtistically Sharing Love of God\u2019s Creation\u201d, The Herald-Sun, Durham, NC, January 17<\/p>\n<p><strong>2009<\/strong> ARTIST&#8217;S SPOT LIGHT,\u00a0The AUP (American University of Paris) Magazine, Fall 2009<\/p>\n<p><strong>2006<\/strong> ARTICLE, Ellen Sung,\u00a0\u201cLooking Into Layers of a Life\u201d, The Raleigh News and Observer, January 22<\/p>\n<p><strong>2005<\/strong> JOURNAL COVER ART,\u00a0\u201cThe Consultant\u201d Annual Journal of the Consulting Foresters of America (ACF), Inc.<\/p>\n<p><strong>2004<\/strong> ESSAY, Lucy R. Lippard, \u201cThe Dragonfly and the Airplane,\u201d Cultural Modernism and Technology section of the exhibition catalogue for \u201cNATIVE VIEWS; Influences of Modern Culture\u201d, Artrain USA<\/p>\n<p><strong>2003, 2004<\/strong> MAGAZINE COVER ART,\u00a0\u201cSpirit in the Smokies\u201d magazine of new paradigm living, Asheville, NC, December, March Issues<\/p>\n<p><strong>2003<\/strong> BOOK, Dawn E. Reno,\u00a0The Official Price Guide to Native American Art, Randomhouse<\/p>\n<p><strong>2003<\/strong> JOURNAL COVER ART,\u00a0\u201cArt of Wellbeing\u201d holistic journal (Greensboro, Winston-Salem, High Point), Spring Issue<\/p>\n<p><strong>2002<\/strong> ARTICLE, Lilyn Hester,\u00a0\u201cArtist Showcases Heritage in Autumn Moon,\u201d The News of Orange County, September 18<\/p>\n<p><strong>2000<\/strong> ARTICLE, Adam Bible, Gallery feature, Spectator Magazine, October 25<\/p>\n<p><strong>1999<\/strong> ARTICLE, Linda Martin,\u00a0\u201cSpotlight on New Member: Alyssa Hinton\u201d, ATLATL (National Service Organization for Native American Arts) Native Arts Update, Summer Issue<\/p>\n<p><strong>1999<\/strong> ARTICLE, Linda Martin, \u201cNew Faces: Alyssa Hinton\u201d, Native Peoples Magazine, May\/June<\/p>\n<p><strong>1999<\/strong> ARTICLE, Deanna Dunham,\u00a0\u201cTribal Memories Come to Life\u201d, Aboriginal Voices; A Native North American News Magazine, March\/April<\/p>\n<p><strong>1999<\/strong> ARTICLE, Tom Patterson,\u00a0\u201cStudying at the Altar of Creativity\u201d, Winston-Salem Journal, February 7<\/p>\n<p><strong>1999<\/strong> ARTICLE, Marci Smith,\u00a0\u201cBrush with Success\u201d, The Robesonian, January 17<\/p>\n<p><strong>1998<\/strong> ARTICLE, Dave Hart,\u00a0\u201cComing Awake Again\u201d, The Chapel Hill News, October 9<\/p>\n<p><strong><span style=\"text-decoration: underline;\">SCULPTURE RELATED TECHNICIAN WORK<\/span>:<br \/>\n<\/strong><strong>2000<\/strong> CABINETRY ASSISTANT to high-end cabinet maker\/craftsman, Wayne White, project commissioned by Minata Gallery, University Mall, Chapel Hill, NC<br \/>\n<em>*Precision chiseling and sanding for joint construction of free standing jewelry display cases.<\/em><\/p>\n<p><strong>1989<\/strong> PROPS ASSISTANT, Walnut Street Theater, Phila., PA<br \/>\n<em>*Carpentry construction and repair of stage props.<\/em><\/p>\n<p><strong>1988<\/strong> BRONZE TECHNICIAN, lost wax process. Laran Bronze Art Foundry, Chester, PA<br \/>\n<em>*Sand blasting, welding and chasing of bronze sculptures.<\/em><\/p>\n<p><strong>1987<\/strong> SCULPTURE TECHNICIAN for sculptors Klaus Schultze and Paul Flury, project commissioned by the Munich Water Company office complex, Munich, Germany<br \/>\n<em>*Construction of monumental brick and concrete figurative sculptures with cast iron armatures.<\/em><\/p>\n<p><strong>1980-81<\/strong> ASSISTANT MACHINIST, Red Star Commune Farm Machinery Plant, Peking, China<br \/>\n<em>* Metal filing, grinding, cutting and drill press work for dairy related machinery.<\/em><\/p>\n<div><em><br \/>\n<\/em><\/div>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\"><br \/>\n<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>EXHIBIT RESUME &#8211; ALYSSA HINTON 109 Hilton Ave. Durham, NC 27707 (984) 234-1407 E-mail: alyssahintonartist@gmail.com Web sites: http:\/\/www.AlyssaHinton.com BIRTH DATE &amp; PLACE: 1962, Philadelphia, PA EDUCATION: 2012 NC State University, Raleigh, NC MASTERS OF ART &amp; DESIGN Major;\u00a0Fibers &amp; New Media 1993 Kutztown University, Kutztown, PA Art Education,\u00a0LEVEL I INSTRUCTIONAL CERTIFICATE Specialty; Multicultural Teaching Strategies [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":297,"menu_order":2,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-15","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>resume -<\/title>\n<meta name=\"description\" content=\"RESUME-SOLO EXHIBITIONS: 2013 \u201cTHE AWAKENING: PARALLEL WORLDS\u201d, FedEx Global Education Center, University of North Carolina 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