{"id":21,"date":"2011-05-31T23:05:26","date_gmt":"2011-06-01T03:05:26","guid":{"rendered":"https:\/\/alyssahinton.com\/?page_id=21"},"modified":"2016-12-19T15:04:16","modified_gmt":"2016-12-19T20:04:16","slug":"press","status":"publish","type":"page","link":"https:\/\/alyssahinton.com\/blog\/press\/","title":{"rendered":"articles &#038; online media"},"content":{"rendered":"<p><strong>LINKS to ONLINE MEDIA<\/strong><strong>\u00a0(2013- present)<\/strong><strong>:<br \/>\n<\/strong><\/p>\n<p>This month <strong>George Boole 200\/News\u00a0<\/strong>has published a\u00a0transcription of my 2015 talk at the\u00a0<a href=\"https:\/\/www.facebook.com\/University-College-Cork-Library-126357767398430\/\">Boole Library of University College Cork<\/a>, Ireland.\u00a0The\u00a0December, 2016 article covers\u00a0the thematic basis for the work I\u00a0installed at the George Boole Library last August.<\/p>\n<p><a href=\"http:\/\/georgeboole.com\/news\/fullstory-719438-en.html\">Click here\u00a0for the\u00a0full story and interview:<br \/>\n<\/a><a href=\"http:\/\/georgeboole.com\/news\/fullstory-719438-en.html\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7283 size-medium\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2016\/12\/Alyssa_Hinton_UCC_Interview-590x332.png\" alt=\"Alyssa Hinton UCC Interview\" width=\"590\" height=\"332\" srcset=\"https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2016\/12\/Alyssa_Hinton_UCC_Interview-590x332.png 590w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2016\/12\/Alyssa_Hinton_UCC_Interview-768x433.png 768w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2016\/12\/Alyssa_Hinton_UCC_Interview.png 854w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/a><\/p>\n<hr \/>\n<p>YouTube- UCC Ireland, Alyssa Hinton exhibition 2015\u2026. some exciting coverage about my installation at the Boole Library <a class=\"profileLink\" href=\"https:\/\/www.facebook.com\/University-College-Cork-Library-126357767398430\/\" data-hovercard=\"\/ajax\/hovercard\/page.php?id=126357767398430\">University College Cork Library<\/a> at UCC, Ireland. This short video was commissioned by the George Boole 200 Office.<\/p>\n<p>Click on the link below to have a look!<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.youtube.com\/embed\/q9RQsqLhV-M?feature=oembed\" width=\"500\" height=\"281\" frameborder=\"0\" allowfullscreen=\"allowfullscreen\"><\/iframe><\/p>\n<hr \/>\n<p>In print as of \u00a0May 1, 2015:\u00a0Routledge Earthworks Essay by Chadwick Allen<\/p>\n<p class=\"p1\">Chadwick Allen, professor of Native American and Indigenous literature at Ohio State University, has recently published an Earthworks essay about contemporary representations of earthworks in Native art and literature. \u00a0The essay, entitled Re-scripting Indigenous America- Earthworks in Native Art, Literature, Community can be found in the publication <em>Twenty-First Century Perspectives on Indigenous Studies: Native North\u00a0America in (Trans) Motion<\/em>, and includes a discussion about my collage pieces<a href=\"https:\/\/alyssahinton.com\/mixed-media-artwork\/mixed-media-photo-collage\/ancestral-plane-950\/\">\u201cAncestral Plane\u201d<\/a> and <a href=\"https:\/\/alyssahinton.com\/mixed-media-artwork\/mixed-media-photo-collage\/slumber\/\">\u201cSlumber\u201d<\/a>, both from my\u00a0<a href=\"https:\/\/alyssahinton.com\/mixed-media-artwork\/mixed-media-photo-collage\/\">Spiritual Ground Series<\/a>.<\/p>\n<p class=\"p1\">Please see:<br \/>\n<a href=\"https:\/\/www.routledge.com\/products\/search?keywords=twenty-first+Century+perspectives+on+Indigenous+studies\">https:\/\/www.routledge.com\/products\/search?keywords=twenty-first+Century+perspectives+on+Indigenous+studies<\/a><\/p>\n<p class=\"p1\"><a href=\"https:\/\/www.routledge.com\/products\/search?keywords=twenty-first+Century+perspectives+on+Indigenous+studies\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-6699\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Routledge.jpg\" alt=\"Routledge\" width=\"150\" height=\"231\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div class=\"span-15 colborder home\">\n<div class=\"post-5692 post type-post status-publish format-standard has-post-thumbnail hentry category-events category-history\">\n<div class=\"pf-content\">\n<hr \/>\n<p>I have an essay published in the <a href=\"http:\/\/www.georgeboole.com\/events\/launch\/launch-of-the-george-boole-chronicles.html\">George Boole Chronicles, launched in March of 2015<\/a>\u00a0\u00a0entitled <a href=\"https:\/\/alyssahinton.com\/artist-background\/eclectic-life-story\/\">\u201cClod Hopper\u2019s Collision Course\u201d, which is also located in the\u00a0background\u00a0section of my website<\/a>. In the essay\u00a0I talk about my extremely eclectic family background\u2026\u2026\u2026.George Boole Chronicles <a href=\"http:\/\/georgeboole.com\/news\/fullstory-539424-en.html\">http:\/\/georgeboole.com\/news\/fullstory-539424-en.html<\/a>\u00a0is a\u00a0<a href=\"http:\/\/www.internationalbookawards.com\/\">Finalist????????????????? for the 2015 International Book Awards.<\/a>\u2026<\/p>\n<p>Click on the book cover\u00a0image\u00a0below to purchase your copy:<\/p>\n<div>\n<p><a class=\"broken_link\" href=\"http:\/\/uccshop.ie\/search\/?search=George+Boole+Chronicles\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-5687\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2015\/08\/GBC-with-finalist-sticker-590x590.jpg\" alt=\"George Boole Chronicles with Finalist Sticker\" width=\"150\" height=\"150\" srcset=\"https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2015\/08\/GBC-with-finalist-sticker-590x590.jpg 590w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2015\/08\/GBC-with-finalist-sticker-950x950.jpg 950w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2015\/08\/GBC-with-finalist-sticker-150x150.jpg 150w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2015\/08\/GBC-with-finalist-sticker-310x310.jpg 310w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2015\/08\/GBC-with-finalist-sticker.jpg 1063w\" sizes=\"auto, (max-width: 150px) 100vw, 150px\" \/><\/a><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<hr \/>\n<p class=\"entry-title cb-entry-title cb-single-title\">ArtsNOW Spotlight- An artist\u2019s inspiration: Alyssa Hinton<br \/>\n<a href=\"http:\/\/www.artsnownc.com\/artists-inspiration-alyssa-hinton\/\">http:\/\/artsnownc.com\/2015\/01\/11\/artists-inspiration-alyssa-hinton\/<\/a><\/p>\n<p><a href=\"http:\/\/artsnownc.com\/2015\/01\/11\/artists-inspiration-alyssa-hinton\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6711 alignnone\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Alyssa-Hinton-Eno-River-590-590x885.jpg\" alt=\"Alyssa-Hinton-Eno-River-590\" width=\"150\" height=\"225\" \/><\/a><\/p>\n<hr \/>\n<p><em><a href=\"http:\/\/www.amazon.com\/Below-Surface-Ethnic-Americas-Contemporary\/dp\/1465252355\" target=\"_blank\">Below the Surface: Ethnic Echoes in America&#8217;s Modern and Contemporary Art<\/a><\/em><\/p>\n<p>Five of my works have been published in the book Below the Surface: Ethnic Echoes in America&#8217;s Modern and Contemporary Arby PEGGY BLOOD\u00a0and LEE RANSAW (2014).<strong><br \/>\n<img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5576\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Ethnic-Echoes.jpg\" alt=\"Below the Surface: Ethnic Echoes in America's Modern and Contemporary Art\" width=\"150\" height=\"185\" \/><br \/>\n<\/strong><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=n8hhyAaqbX4#t=66\">INDIGENEITY DECOLONIALITY@RT ARTISTS TALK ON YouTube<\/a><\/p>\n<p>Check me out at minute 8:26<\/p>\n<p><a href=\"https:\/\/www.youtube.com\/watch?v=n8hhyAaqbX4#t=66\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft wp-image-5077 size-full\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Duke-Indigeneity-Alyssa-Hinton-Talk-590Pix-e1400085261712.png\" alt=\"Duke-Indigeneity-Alyssa-Hinton-Talk-590Pix\" width=\"200\" height=\"122\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a href=\"http:\/\/videos.videopress.com\/bv0c8rOm\/artopening-program-stream-broadband_dvd.mp4\" target=\"_blank\">Videopress Video on\u00a0\u201cNative Voices and Identity Narratives\u201d\u00a03rd\u00a0Biennial Contemporary American Indian Arts Series\u00a0at The A.D. Gallery at The University of North Carolina at Pembroke:<\/a><\/p>\n<p><a href=\"http:\/\/videos.videopress.com\/bv0c8rOm\/artopening-program-stream-broadband_dvd.mp4\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignleft\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2013\/10\/NativeVoicesIdentityNarratives_590pix-310x150.jpg\" alt=\"Native Voices and Identity Narratives_590pix\" width=\"248\" height=\"120\" \/><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4559 alignnone\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Alyssa-UNC-P-Lecture-2-590x330.jpg\" alt=\"Alyssa-UNC-P-Lecture-2\" width=\"204\" height=\"114\" srcset=\"https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2011\/05\/Alyssa-UNC-P-Lecture-2-590x330.jpg 590w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2011\/05\/Alyssa-UNC-P-Lecture-2-270x150.jpg 270w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2011\/05\/Alyssa-UNC-P-Lecture-2.jpg 639w\" sizes=\"auto, (max-width: 204px) 100vw, 204px\" \/><\/a><\/p>\n<hr \/>\n<p><a href=\"http:\/\/www.youtube.com\/watch?v=z8tpCMl8JJk\">Alyssa on <strong>youtube<\/strong>:\u00a0&#8220;The Awakening: Parallel Worlds&#8221; Artist&#8217;s Talk, September 12, 2013, UNC Global Education Center<\/a><\/p>\n<p style=\"text-align: left;\"><a href=\"http:\/\/www.youtube.com\/watch?v=z8tpCMl8JJk\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3934\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2013\/10\/Alyssa-Hinton-Awakening-UNC-Lecturing-590.jpg\" alt=\"Lecturing\" width=\"127\" height=\"127\" srcset=\"https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2013\/10\/Alyssa-Hinton-Awakening-UNC-Lecturing-590.jpg 590w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2013\/10\/Alyssa-Hinton-Awakening-UNC-Lecturing-590-150x150.jpg 150w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2013\/10\/Alyssa-Hinton-Awakening-UNC-Lecturing-590-310x310.jpg 310w\" sizes=\"auto, (max-width: 127px) 100vw, 127px\" \/><\/a><\/p>\n<hr \/>\n<p><a href=\"http:\/\/vimeo.com\/71451198\" target=\"_blank\">Vimeo Video\u00a0on\u00a0Awakening: Parallel Worlds Show at UNC-Chapel Hill:<\/a><\/p>\n<p><a href=\"http:\/\/vimeo.com\/71451198\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-3617\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2013\/09\/UNCGlobalAwakeningPoster_590Pix\" alt=\"UNCGlobal Awakening Poster_590Pix\" width=\"127\" height=\"197\" \/><\/a><\/p>\n<hr \/>\n<p><a href=\"http:\/\/www.dailytarheel.com\/article\/2013\/09\/ceramics-in-red-white-blue-0911\" target=\"_blank\">Daily Tarheel Article\u00a0on\u00a0Awakening: Parallel Worlds Show at UNC-Chapel Hill:<\/a><\/p>\n<p><a href=\"http:\/\/www.dailytarheel.com\/article\/2013\/09\/ceramics-in-red-white-blue-0911\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-4826 alignleft\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/ThunderBirdOfReconciliation590.jpg\" alt=\"Thunder Bird Of Reconciliation\" width=\"127\" height=\"211\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<p>Awakening: Parallel Worlds\u00a0press release:\u00a0Artwork Highlights American Indian Cultural Reawakening:<\/p>\n<p><a href=\"http:\/\/www.unc.edu\/campus-updates\/mixed-media-composite-artwork-highlights-american-indian-cultural-reawakening\/\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-3147 alignnone\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/06\/Indigena3_950-310x150.jpg\" alt=\"Indigena- FifthSun 3\" width=\"248\" height=\"120\" \/><\/a><\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><a href=\"http:\/\/uncglobal.smugmug.com\/UNCGlobal2013\/The-Awakening-Parallel-Worlds\" target=\"_blank\">Smugmug Photo Documentation\/UNCGlobal2013\/The-Awakening-Parallel-Worlds:<\/a><\/p>\n<p><a href=\"http:\/\/uncglobal.smugmug.com\/UNCGlobal2013\/The-Awakening-Parallel-Worlds\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone wp-image-4031\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2012\/03\/Alyssa-Hinton-Indigenous-Iconic-Earth-Altar-Deer-Dress.jpg\" alt=\"Inside the Earth Altar-Deer Dress\" width=\"212\" height=\"141\" \/><\/a><\/p>\n<hr \/>\n<p>UNC &#8211; Pembroke Newswire\u00a0Full Story\u00a0on\u00a0Awakening: Out of the Darkness Show:<\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-medium wp-image-6689 alignleft\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Alyssa-Hinton-UNC-P-Show-590x553.png\" alt=\"Alyssa-Hinton-UNC-P-Show\" width=\"590\" height=\"553\" srcset=\"https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2011\/05\/Alyssa-Hinton-UNC-P-Show-590x553.png 590w, https:\/\/alyssahinton.com\/blog\/wp-content\/uploads\/2011\/05\/Alyssa-Hinton-UNC-P-Show.png 783w\" sizes=\"auto, (max-width: 590px) 100vw, 590px\" \/><\/p>\n<p><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-6715 alignnone\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/Screen-shot-2013-06-16-at-11.32.29-AM.png\" alt=\"Screen shot 2013-06-16 at 11.32.29 AM\" width=\"492\" height=\"956\" \/><\/p>\n<hr \/>\n<p><strong>ARTICLES from<\/strong>\u00a0<strong>PUBLICATIONS (1998-2008)<\/strong><strong>:<\/strong><\/p>\n<div id=\"attachment_559\" style=\"width: 135px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=603\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-559\" class=\"size-full wp-image-559 \" title=\"ComingAwakeT\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/ComingAwakeT.jpg\" alt=\"press\" width=\"125\" height=\"162\" \/><\/a><p id=\"caption-attachment-559\" class=\"wp-caption-text\">The Chapel Hill News<\/p><\/div>\n<div id=\"attachment_548\" style=\"width: 143px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=599\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-548\" class=\"size-full wp-image-548 \" title=\"spectatort\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/spectatort.jpg\" alt=\"press\" width=\"133\" height=\"162\" \/><\/a><p id=\"caption-attachment-548\" class=\"wp-caption-text\">Spectator Magazine<\/p><\/div>\n<div id=\"attachment_556\" style=\"width: 130px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=583\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-556\" class=\"size-full wp-image-556 \" title=\"NativeViewst\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/NativeViewst1.jpg\" alt=\"press\" width=\"120\" height=\"162\" \/><\/a><p id=\"caption-attachment-556\" class=\"wp-caption-text\">Lucy Lippard<\/p><\/div>\n<div id=\"attachment_547\" style=\"width: 135px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=581\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-547\" class=\"wp-image-547 size-full\" title=\"NewsObservert\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/NewsObservert.jpg\" alt=\"press\" width=\"125\" height=\"162\" \/><\/a><p id=\"caption-attachment-547\" class=\"wp-caption-text\">The Raleigh News and Observer<\/p><\/div>\n<p>&nbsp;<\/p>\n<div id=\"attachment_5412\" style=\"width: 320px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/2011\/07\/20\/various-press-coverage-\u201cimpacted-nations\u201d-honor-the-earth-tour-2005-2008\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5412\" class=\"wp-image-5412 size-thumbnail\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/IAIAinvite12-310x150.jpg\" alt=\"Impacted Nation Invite Card\" width=\"310\" height=\"150\" \/><\/a><p id=\"caption-attachment-5412\" class=\"wp-caption-text\">Impacted Nations- Various Coverage<\/p><\/div>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<hr \/>\n<p><strong>ARTICLES from PUBLICATIONS with\u00a0PRESS-EXCERPTS (1999-2006):<\/strong><\/p>\n<div id=\"attachment_5443\" style=\"width: 172px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/press\/duke-louise-jones-brown-gallery\/\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-5443\" class=\"wp-image-5443 size-full\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/dukepostcardfront.jpg\" alt=\"post card \" width=\"162\" height=\"108\" \/><\/a><p id=\"caption-attachment-5443\" class=\"wp-caption-text\">The Duke University Chronicle Online, November, 2006.<\/p><\/div>\n<p>\u201cWhile incorporating photography, oil paint, computer graphics, wood planks and even\u00a0feathers, Hinton&#8217;s art pieces remain fluid. At first glance, it is hard to pick out the different parts of the whole&#8230;The backgrounds of the pieces burst with warm colors that connote vivacity and life. Amidst the mixture of nature and cultural memorabilia, such as coins, map fragments and photos, Hinton subtly weaves in abstract technological images, like brain waves, to convey the interconnectedness of the world.\u201d<\/p>\n<p>-Nancy Wang, &#8220;The Collage grows up at the Bryan Center\u2019s Louise Jones Brown Gallery,&#8221;<\/p>\n<p><span style=\"text-decoration: underline;\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_545\" style=\"width: 136px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=593\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-545\" class=\"size-full wp-image-545 \" title=\"evolvingtraditions2\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/evolvingtraditions2.jpg\" alt=\"press\" width=\"126\" height=\"162\" \/><\/a><p id=\"caption-attachment-545\" class=\"wp-caption-text\">NY Arts Magazine &amp; The Smithsonian NMAI, May, 2003.<\/p><\/div>\n<p>&#8220;Through photographic collage she illustrates some of the oral history that is prevalent among the tribes of the Southeast. While the medium she uses is very modern, her subject matter is ancient. In addition, she uses both amorphous and very literal figures, generating a multi-layered effect. In so doing, she takes iconic figures of the oral tradition, such as the deer man, and filters them through a modern lens, portraying the beauty and complexity of Indian tradition in a contemporary world.&#8221;<\/p>\n<p>-Raquel Chapa, &#8220;Evolving Traditions,&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em><span class=\"Apple-style-span\" style=\"font-style: normal;\">\u00a0<\/span><\/em><\/p>\n<div id=\"attachment_544\" style=\"width: 134px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=595\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-544\" class=\"size-full wp-image-544 \" title=\"CoverNativePeoples\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/CoverNativePeoples.jpg\" alt=\"press\" width=\"124\" height=\"162\" \/><\/a><p id=\"caption-attachment-544\" class=\"wp-caption-text\">Native People&#8217;s Magazine, May\/June 1999<\/p><\/div>\n<p>&#8220;Using layers of lush greenery, woodland textures and indigenous imagery, Tuscarora and Osage artist Alyssa Hinton celebrates her connection to the land and people of North America in organic themed collages. She composes rich visual Narratives that talk about the path she took to finding her cultural identity and a restored sense of communal belonging.&#8221;<\/p>\n<p>-Linda Martin, &#8220;New Faces: Alyssa Hinton,&#8221;<\/p>\n<p><span style=\"text-decoration: underline;\">\u00a0<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_557\" style=\"width: 135px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=597\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-557\" class=\"size-full wp-image-557 \" title=\"coveraborig\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/coveraborig1.jpg\" alt=\"press\" width=\"125\" height=\"162\" \/><\/a><p id=\"caption-attachment-557\" class=\"wp-caption-text\">Aboriginal Voices; A Native North American News Magazine, March\/April 1999.<\/p><\/div>\n<p>&#8220;Alyssa Hinton&#8217;s talent allows her to dip from the tribal memory and expose the roots of her people. By uniting human with nature and past with present, she challenges her audience to remember their own history as it really is.&#8221;<\/p>\n<p>-Deanna Dunham, &#8220;Tribal Memories Come to Life,&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<div id=\"attachment_549\" style=\"width: 141px\" class=\"wp-caption alignleft\"><a href=\"https:\/\/alyssahinton.com\/?page_id=601\" target=\"_blank\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-549\" class=\"size-full wp-image-549 \" title=\"WinstonSalemt\" src=\"https:\/\/alyssahinton.com\/wp-content\/uploads\/2011\/05\/WinstonSalemt.jpg\" alt=\"press\" width=\"131\" height=\"162\" \/><\/a><p id=\"caption-attachment-549\" class=\"wp-caption-text\">Winston-Salem Journal, February 7, 1999.<\/p><\/div>\n<p>&#8220;Her evocative, landscape-related collages engage themes related to American Indian cultures and their spiritual traditions. Black and white images of blanket swathed Indians juxtaposed with fragments of urban road maps in her two pieces from the series The Heart of the Nation\/Refugees effectively comment on the cultural displacement of North America&#8217;s original inhabitants and the resultant problems faced by their descendants. Composite images that suggest cross sections of ancient burial mounds allude to the longevity of American Indian history in works such as Hinton&#8217;s Ancestral Plane, Slumber, and Spiritual Archaeology\/Descendants and Ancestors. And the mystical aspects of Native American religion provides the focus for Creator\/Cosmos, Ancient Fire, and Light and Sound\/The Fourth Day.&#8221;<\/p>\n<p>-Tom Patterson, &#8220;Studying at the Altar of Creativity,&#8221;<\/p>\n<p>&nbsp;<\/p>\n<p><strong><span style=\"text-decoration: underline;\"><br \/>\n<\/span><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>LINKS to ONLINE MEDIA\u00a0(2013- present): This month George Boole 200\/News\u00a0has published a\u00a0transcription of my 2015 talk at the\u00a0Boole Library of University College Cork, Ireland.\u00a0The\u00a0December, 2016 article covers\u00a0the thematic basis for the work I\u00a0installed at the George Boole Library last August. Click here\u00a0for the\u00a0full story and interview: YouTube- UCC Ireland, Alyssa Hinton exhibition 2015\u2026. some exciting [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":1,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_monsterinsights_skip_tracking":false,"_monsterinsights_sitenote_active":false,"_monsterinsights_sitenote_note":"","_monsterinsights_sitenote_category":0,"footnotes":""},"class_list":["post-21","page","type-page","status-publish","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v24.2 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>articles &amp; online media -<\/title>\n<meta name=\"description\" content=\"Press-Using layers of lush greenery, woodland textures and indigenous imagery, Tuscarora and Osage artist Alyssa Hinton celebrates her connection to the land and people of North America in organic themed collages.\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/alyssahinton.com\/blog\/press\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"articles &amp; 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